Monday, July 06, 2015

"Little Shop of Horrors" Enore Presentation at New York City Center - An Historic Moment

Jake Gyllenhaal as Seymour
Ellen Greene as Audrey
Eddie Cooper as Audrey II
"Little Shop of Horrors"
New York City Center

"Little Shop of Horrors" has been an intimate part of my life since I first sat in the audience to watch a performance of the original Off-Broadway production starring Ellen Green as Audrey. As the performance ended in the Orpheum Theater, vines fell from the ceiling into the laps of the audience members.  I have been entangled in those vines from the "strange and interesting plant" ever since that evening.

A few years later, I found myself cast in the role of Mr. Mushnik in my first professional role on stage.  It was magical in so many ways.  One of the enduring relationships that came from that summer of doing "Little Shop" was with the fine actress who played our Audrey, Marla Sucharetza..In the intervening years, I have seen a number of productions of the musical, and Marla remains the actress who best embodies the character of Audrey.  When I learned that New York City Center would be mounting an Encore presentation of the classic musical, starring Ellen Greene and Jake Gyllenhaal, I knew that I had to find a way to see it in the company of Marla.  So I booked the tickets and surprised Marla by inviting her as part of the prolonged celebration of her recent milestone birthday.

It was a magical day at the theater.  The audience that packed the City Center for the three performances was composed of many New York City theater professionals and serious fans of musical theater.  In many ways, it was like attending a midnight showing of "Rocky Horror"; every word and note was anticipated by the cognoscenti in the crowd.  Ellen Greene's initial entrance was electric.  Mr. Mushnik's snide greeting took on a double meaning, given the fact that it has been many years since Ms. Green last graced a New York stage: "So, you finally decided to come to work!"  The crowd went wild and the ovation washed over Ellen like a warm wave of adulation and affection. Similar love fests occurred after each of her two familiar solos - "Suddenly, Seymour" and "Somewhere That's Green."  Her curtain call - as Jake Gyllenhaal graciously retreated and left Ellen alone to bask in the applause - was a continuation of the love affair.

Did Ms. Greene hit every note perfectly? No  Did she milk each iconic moment for all it was worth? Of course!  But none of that mattered.  We were there to celebrate her and to celebrate the return of a brilliantly written show that still thrills audiences more than 33 years after if first opened and took New York by storm.

This concert version of the musical was deftly directed by Dick Scanlan, whose choice of Eddie Cooper to play the plant, Audrey II, was a stroke of genius.  Young charmer Anwar Kareem played the young version of the plant, and won the hearts of every audiences member with his facial expressions and clever dance with Seymour.  Gyllenhaal proved to any doubters that he has the vocal chops to pull off a role like Seymour, and was perfect in the chemistry that he and Ms. Greene developed between their characters. SNL veteran Taran Killam was hilarious as the dentist and other characters.  Joe Grifasi was a wonderful Mushnik.  The  urchins were played by a trio of gifted singers who really made this Greek chorus an integral part of the telling of this whacky tale.  They are Tracy Nicole Chapman, Marva Hicks and Ramona Keller.

As I allowed the cavalcade of emotions to gallop over me as I listened and watched, it occurred to me yet again what a well written and ingeniously conceived work of art Alan Menken and Howard Ashman created when they put their heads and talents together to bring this plant to full flower. Every corny line and allusion to 1950's pop culture brought a knowing smile, nod, laugh and even the occasional tear.  I had wondered how young audience members might react to a show that is so firmly rooted in a specific time period.  I was reassured when a young friend told me that in Japan, songs from this show are among the songs most favored in karaoke by young singers.  This is a show that has turned into a perennial and is ever new and ever fresh.  Given the reaction to this brief return of "Little Shop of Horrors" to a New York stage, it is the dream of many of us that it may prompt a team of producers and investors to mount a long run of the show in a fully staged revival.

As it was, this brief return of Audrey and Audrey II to NYC was an event to be savored for a long while to come.  I felt blessed to have had a chance to be there for this historic moment.  This particular spot in my memory bank will long remain "Somewhere That's Green."

Sunday, July 05, 2015

Soho Rep Presents "10 Out Of 12" by Anne Washburn - Extended Through July 18

Soho Rep. never fails to astonish, entertain and challenge me with their fresh offerings of new works by gifted playwrights.  The current production of "10 Out Of 12" by Anne Washburn - recently extended for the second time through July 18 - is no exception.  This play is based on notes that Ms. Washburn has taken over the years during tech rehearsals for the plays that she has been involved with.  Les Waters directs a very capable ensemble cast

The set-up for this meta play is that each audience member is treated as a member of the tech crew, on headset on Channel 1 to listen in on the banter that occurs among the technical staff during a grueling tech rehearsal for a play that is fraught with many of the typical difficulties that one encounters in trying to bring the ideas of a playwright into reality on a stage with flawed human beings in charge of the acting and creative arts.

Te result is a play that is offered to theater insiders as a way of both celebrating and laughing at the foibles of those who would seek to tame the Muse.  A lost Exacto knife comes back to haunt one of the crew and almost sends him to the hospital.  The persistent EXIT sign almost sends the Director into apoplexy.  Lingering resentments between actors that carry over from previous projects threaten to derail this train. An OCD actress fusses over the precise placement of a table.  And the inevitable self-important veteran actor, who thinks he knows how to tell the story better than both the playwright and the Director, stops the rehearsal to offer ex tempore re-writes, dramaturgical comments and put-downs of the other actors in the midst of a long philosophical rant that leaves everyone else speechless.  We knew that this particular volcano would eventually erupt.  We just did not know precisely when and in which direction the molten lava would flow.

Audience members seemed to be mostly seasoned members of the NYC theater community, for there were knowing laughs, nods and snickers at many of the familiar dynamics at work in any tech rehearsal.  It is no wonder that the run of the show has been extended yet again.  There was not an empty seat at the matinee performance I attended.  Ms. Washburn has wonderfully captured the ethos of the creative process  The ensemble cast are universally effective in working within the mise en scene that the playwright and Director have created.

Set Design by David Zinn, Lighting Design by Justin Townsend, Sound Design by Bray Poor, Costume Design by Ásta Bennie Hostetter, Props by George Hoffmann & Greg Kozatek; Production Stage Manager: Amanda Spooner, Production Manger: Jeff Drucker, Company Manager: Sizo Kunene, Casting: Jack Doulin, C.S.A. Illustration: Riki Blanco.

 Featuring: Quincy Tyler Bernstine, Jeff Biehl, Gibson Frazier, Rebecca Hart, Nina Hellman, Sue Jean Kim, Bruce McKenzie, Garrett Neergaard, Bray Poor, David Ross, Thomas Jay Ryan, Conrad Schott, Wendy Rich Stetson and Leigh Wade.

"10 Out of 12"
by Anne Washburn
Soho Rep.
Through July 18
Photo by Julieta Cervantes
If you are a "theater person" - this peek inside the rehearsal process is something you will not want to miss.



SoHo Rep Website